HN 写作课

工程师们二十年里聊过的写作。

工程师、作家、编辑和创业者在 Hacker News 上聊了二十年“怎么写”:怎么写得清楚、怎么讲好一个故事、技术文档怎么写、小说和出版是怎么回事。这里把其中关于写作与讲故事的帖子挑出来,配上中文导读、可以直接用的写作要点和评论翻译。

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    1. 01

      从全量里捞

      读取 Hacker News 自 2006 年以来的全部帖子,用关键词先捞出 40 分以上、可能和写作有关的约 1.1 万篇。

    2. 02

      只留真正讲写作的

      由 AI 逐条判断是否和写作、讲故事、文风、出版有实质关系,剔除“写代码”“编辑器”这类字面撞车,并分进十个类别。

    3. 03

      提炼可用的要点

      为值得读的帖子写中文导读,提炼 2-4 条可以直接用到自己写作里的要点,并精选翻译 HN 高赞评论。内容由 AI 生成,可能有误。

    小说与文学2022bastian.rieck.me编辑精选

    我们都是极客:尼尔·斯蒂芬森的文学作品

    We are all nerds: The literary works of Neal Stephenson

    阅读原文 HN 讨论
    307HN 得分
    220条评论
    4条写作要点

    导读

    这是一篇讨论 Neal Stephenson 科幻小说的文章,评论区读者围绕《Anathem》《钻石年代》《Snow Crash》等作品,聊世界构建、结尾处理和写作风格的变化。对写作者来说,这场讨论很实用:怎样让设定承载思想,为什么“收尾”比“高潮”更难,以及成名之后如何不丢掉编辑的克制。

    关键词 世界构建结尾编辑与打磨科幻小说

    可以直接用的写作要点

    1. 01

      世界构建不只是布景:像《Anathem》那样设计一套完整的社会制度(把宗教式的共同体、仪式、冥想与彻底理性主义结合),让设定本身承担主题。

    2. 02

      结尾要专门留出几页来收束:读者记住的往往是读完之后的感觉,而不是高潮那一刻;不要写到最紧张处就直接停下。

    3. 03

      紧凑克制的文字来自逐字打磨(如《钻石年代》),而“写得开心”的后期作品常有精彩片段却缺少整体编辑——把“闪光的瞬间”和“整体结构”分开检查。

    4. 04

      把核心概念抽象到可迁移的层面(如把 hacking 理解为“理解事物内部结构以影响世界”),读者会把它带进自己的人生,而不只是记住情节。

    HN 评论精选

    把制度、仪式与思想体系当作世界构建的核心,能让设定本身成为主题。

    我最喜欢的是《Anathem》:世界构建一如既往地出色,故事和结局也相当好。这本书的世界(尤其是 avout 社团)很吸引我。我在天主教环境里长大,很早转向无神论或不可知论,但宗教的许多方面似乎值得保留:对共同体的重视、仪式、一套规则框架、冥想与内省。这本书呈现了一种颇具吸引力的社会模型,把宗教式的实践模式与彻底的理性主义结合起来。我明白这种“无神论宗教”在现实中很难成立,但我仍然希望它能存在。

    The_Colonel查看英文原文

    My favorite Stephenson's novel is Anathem with superb world building (as usual) but also a pretty good story and ending. But it's also a book whose world (specifically the avout society) attracts me. I've grown up in a Catholic setting, but "converted" to atheism/agnosticism pretty early. But even with its many failings, there are certain aspects of religions which seem worth preserving - the focus on community, the rituals, a particular rule framework, meditation (prayers) and introspection. The book presents a (on a certain level) pretty attractive model of society which combines the practical religious patterns with a full rationalism. I kind of understand why such "atheist religion" is unlikely to get off in the real world, but it's still something I would wish for.

    紧凑的文字来自逐字打磨;失去编辑约束后,精彩瞬间仍在,整体却会松散。

    我同意,《钻石年代》得到的关注不够。它是我最喜欢的书之一,结尾不算令人满意,但至少是向上的。《Seveneves》也非常好玩;如果认识喜欢历史的人,可以推荐他早期的《巴洛克纪元》。我没在访谈里听过这种说法,但我认为 Stephenson 现在年纪够大、够成功,就完全按自己喜欢的方式写书了。《钻石年代》感觉像是他为了把篇幅压短而逐字斟酌;而《Fall》和最新的《Termination Shock》(大部分我也不喜欢)则像是一个单纯喜欢写作的作者写的。两本书里都有极精彩的瞬间,像爵士乐手一样,几乎不费力地深刻又好笑,但完全没有编辑或反复推敲。

    JZL003查看英文原文

    I agree, I don't think diamond age gets enough interest. It's one of my favorite books and the ending is unsatisfying but at least upbeat. Seveneves is also tons of fun. And if you know anyone who likes history, his older Baroque Cycle is pretty great I haven't heard this in an interview or anything but I think now Stephenson is older and successful enough, he just writes the books exactly how he likes. Diamond age feels like he was agonizing over every word to keep everything so short. But Fall, and his newest book Termination Shock (which I also didn't like most of) ,just feels like an author who likes writing. Both have these amazing moments, which reminds me like a jazz musician, where it's almost effortlessly insightful and funny. But with no editing or second thoughts

    结局要主动经营:别让读者翻到最后一页才发现故事已经没了。

    虽然我很喜欢 Stephenson 的小说,但我真希望他当年在写作课上多待一阵,学会怎么收尾和写结局;很多时候我翻过一页,才发现那已经是最后一页。(说得有点夸张,但他的故事与其说是“结束”,不如说是“戛然而止”——如果他能多用几页把结局收好,再让我们等下本书,我会非常高兴。)不过他编织的故事足够有趣,这点小毛病我还能忍。

    lb1lf查看英文原文

    Much as I love Neal Stephenson's novels, I really wish he'd stayed around at the writer's class he surely took until they had learned how to wrap up books and write endings; more often than not, I turn the page on a Stephenson novel only to find it was the last... (While I exaggerate a little, his stories do not end as much as END - I would be thrilled if he could spend a few pages wrapping it up in the end before leaving us waiting for the next title...) The yarns he constructs are definitely entertaining enough for me to cope with this very minor annoyance, though.

    让核心概念停留在抽象、可迁移的层面,读者会把它内化成自己的人生态度,而不只是记住情节。

    《Snow Crash》大概是塑造了我的那本启蒙书。我在挪威自行车旅行时,在一家书店的英文区买下它。那时我刚毕业,还没决定人生要做什么,英语只勉强够读懂这本书。本质上,《Snow Crash》把“hacking”这个概念介绍给了我——不是写代码,而是抽象意义上的:利用对事物内部运作的了解去影响世界。当时我还完全不懂软件。尽管主角是顶级黑客、部分情节发生在赛博空间,书里其实很少写到敲代码,那是我后来才学的。《Snow Crash》是我的“红药丸”。多年后作为职业软件工程师重读,我无法夸大它对我人生的影响:它让我渴望理解事物的深层结构,并由此获得影响和创造周围世界的能力。它也是我接触现代乌托邦赛博朋克的入口——赛博空间、虚拟化身、巨型企业、光轮赛车,以及理性的强大力量。

    Derbasti查看英文原文

    Snow Crash is probably the one formative book that made me who I am. I bought this book in the English section of a Norwegian bookstore while on a bike trip there. I was just out of school and I had not decided yet what to do with my life. My English was just barely good enough to understand Snow Crash. At its essence, Snow Crash introduced me to the idea of hacking. That is, hacking in the abstract sense of using knowledge about the inner workings of things to influence the world. At the time, I didn't know anything about software yet. Even though the main hero of the book is a master hacker and part of the book plays out in cyber space, it never really talks about the act of writing code. I would learn about that later. Snow Crash was my red pill. Re-reading it today, after having been a professional software engineer for a number of years, I can't overstate how influential this book has been in my life. It instilled in me the desire to understand the deep structures of things. And with that, the ability to influence and create the world around me. It set me on the path to becoming who I am today. Snow Crash also served as my introduction to modern utopian cyberpunk. Even though I spent my youth playing video games and reading bad sci-fi, I still remember Snow Crash as my formal introduction to cyber space, virtual avatars, megacorporations, and light cycle races. And it told of the awesome power of reason. My second favorite Stephenson is Zodiac, strangely.

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