出版与作家生涯2015washingtonpost.com
白人迈克尔因诗作无法发表，便化名“Yi-Fen Chou”
White guy named Michael couldn’t get a poem published so he became Yi-Fen Chou
导读
这篇帖子讲述一位白人诗人以本名屡遭拒稿，改用中文笔名后作品得以发表，引发关于文学出版中身份、笔名与作品评价的争议。对写作者而言，它提醒我们作品被拒可能无关质量，而涉及行业偏见；也促使我们思考笔名策略与市场接受度对创作的影响。
可以直接用的写作要点
- 01
作品被拒未必是质量不够，有时是作者身份标签在起作用，写作者应理性看待拒稿并区分文本问题与行业偏见。
- 02
笔名或身份包装可能影响发表机会，但核心仍是作品内容，慎用投机策略以免遮蔽真正的写作成长。
- 03
出版方基于作者背景而非文本评判是行业问题，写作者可主动了解规则，但不必为了迎合而扭曲自我表达。
- 04
艺术市场接受度会影响创作选择，写作者需要在自我表达与市场认可之间找到平衡，而非单纯追逐发表。
HN 评论精选
问题不在作者改名，而在出版方以作者名字而非作品质量作评判。
评论者解读张教授的话：她认为少数族裔是因作品质量而发表，暗示他们因少数族裔身份才发表是对其作品不能独立成立的侮辱。但这位白人并未发表种族主义言论，他只是证明中国名字确实影响了发表。所以若说侮辱，那是出版方的侮辱，因为他们基于作品之外的东西评判。
jawns查看英文原文
"He sort of implies that minorities are published because we're minorities, not because of our work. That's just insulting." What Prof. Chang means by this is that she believes minorities are published because of the quality of their work, and anyone who suggests that they're published simply because they're minorities is wrong and motivated by a belief that minorities' work does not stand on its own merits, which would indeed be insulting. If this white guy announced, "I'm going to use a Chinese-sounding pen name because I think it'll make my poems more likely to be published," then yeah, I think a case could be made that it's insulting, because he would be presuming that minorities' work does not stand on its own merits. But in this case, the white guy did not make a racist statement. What he did was demonstrate that in at least one case, the Chinese-sounding name did influence whether his poems were published. So, if it's insulting, it's insulting not because of what this man said or did. Rather, it's insulting on the part of the publications, who did judge the poems on something other than their merits.
行业偏见可能以意想不到的方式运作，名字或身份标签会扭曲发表结果。
奇怪的是，一位批评者认为“传统特权”阶层成员冒充弱势阶层是错误的，尽管迈克尔的本名作品一直被拒。仿佛在诗歌界，中文名字成了特权，而白人美国人反而受歧视——可人们却以为情况相反。
Asbostos查看英文原文
Strangely one of the critics considered it wrong that a member of a "traditionally privileged" class pretended to be a member of a less favored class. That despite the fact that Michael's work was consistently rejected under his own name. Apparently in poetry, Chinese is a privileged class and white Americans suffer discrimination yet people believe it's the other way around.
名字与作品内容无关，评判者的偏见才是问题所在。
我不明白为什么他们说他种族主义——他不是那个根据作者名字评判诗歌的人。名字与内容无关。
snarfy查看英文原文
I'm not sure why they are calling him racist - he's not the one judging poems based on author name. The name is not relevant to the content.
艺术界存在为迎合市场而改变身份包装的现象，写作者需警惕市场对创作的塑造。
这并不奇怪。多年前我做艺术装置时，遇到过几个美国人改名字和口音，让自己听起来像德国人或北欧人，以便被更认真地对待并卖出更多画廊作品。这招对他们管用。但这和我那位用美国名字的中国同事有何不同？或者和 Häagen-Dazs 想被当作异国冰淇淋品牌有何不同？艺术从来只取决于市场能接受什么。
ap22213查看英文原文
This isn't so surprising. Quite a few years ago (when I was doing art installations) I met a couple people (Americans) who had changed their names and accents to sound German or Nordic so that they'd be taken more seriously (and sell more gallery art). Apparently, this had worked for them. But, is it all so different from my Chinese co-worker who refers to himself by his American name? Or, perhaps even the chain Häagen-Dazs that wanted to be considered as an exotic ice cream maker to the average American? Art is (and has always been) only what the market will bare.
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