写作方法2017adamharkus.com
如何写一首歌
How to Write a Song
导读
这是一篇面向初学者的写歌指南，HN 上的讨论把「写歌」拆成了几件可迁移到任何写作上的事：音节与重音的配合、把创作当作带约束的工程问题、先粗放地写完再精修、以及靠固定节奏把创作变成习惯。对写作者的价值在于：它把「灵感」还原成可以练习和检查的具体动作，尤其适合写歌词、诗或有节奏感的文案的人。
可以直接用的写作要点
- 01
写完一行要检查「重音对位」：旋律的重拍应落在歌词的重读音节上；音节数对了但重音错位，句子就会显得生硬（把重音压在介词上尤其明显）。
- 02
把每一句当成带约束的工程题：先弄清约束（音节、节奏、韵律），再从内容和形式两侧找解法；有意破例可以，但要清楚自己在破什么。
- 03
先快速写完、粗糙记录，再回头精修；边写边纠结会打断能量流，「想太多」是创作的敌人。
- 04
把创作变成习惯：固定时间、固定空间、固定产出量（比如每月四首、每周三晚），持续比偶尔爆发更能积累作品。
HN 评论精选
歌词的重音必须与旋律重拍对齐，这是写歌最容易被忽略的硬约束。
英语写歌里一个关键、却常被这类入门文章漏掉的点是「scansion（轻重音排布）」或者说「flow」：旋律的重拍应该和歌词的重读音节对应。听起来简单，但写作时太容易死盯着一句写得很漂亮、音节数也对、重音型却不对的句子——没有比把重音错放在介词上更能让一首歌显得「硬凑」的了。某种意义上，这正是写歌像工程流程的地方：每一句都是一个有明确约束的问题，你可以从内容或形式任一侧想出创造性解法，但必须满足约束。（当然，你也可以为效果故意打破它，比如 Eminem 在《Lose Yourself》里故意把「that easy」的重音拧过来，好和「gravity」押上节奏——但那是自觉的选择。）关键还要让这套工程所耗的心力不干扰创造力，这个平衡很重要。这也是我希望人们把写歌软件当成 IDE 来想的原因：通过第三方插件把潜在的「bug」提示出来（可惜大多数专业制谱软件都不开放有意义的改造）。
btown查看英文原文
A crucial part of English-language songwriting, and something that is all too often missing from these types of introductory articles, is the importance of "scansion" [0], or "flow." Essentially, it's the concept that the stressed beats in a melody should correspond with the stressed syllables in lyrics. Sounds simple, but it's all too common in the writing process to fixate on a well-written line that matches the number of syllables but not the stress pattern - there's nothing like placing stress incorrectly on a preposition to make a song feel "forced." http://www.simonhawkins.com/?p=340 In many ways, this is a big part of what makes songwriting a true engineering process - every line becomes a problem with well-known constraints, where you can apply creative solutions from either side of the problem... but you have to meet the constraints. (Of course, you can break it intentionally for effect - for instance, Eminem in "Lose Yourself" mis-stressing "that easy" to fit into a rhythm scheme alongside "gravity" - but this is done consciously.) A key component is to make sure that the mental bandwidth required for this engineering doesn't interfere with creativity; getting that balance right is essential. It's why I generally wish people thought of songwriting software more as IDEs, with contextual information about potential bugs surfaced through third-party UI plugins. (Sadly, most professional notation software is closed to any meaningful modification.)
先快速粗写出整首歌，理论只是为了保证不打断能量流，精修留到后面。
作为一个写了很久歌的人，我认为最好的歌往往来自拿起木吉他快速乱弹一气。想太多是写歌的敌人。我写各种类型的音乐，从电子到金属到氛围，全都从一把木吉他开始。懂和声理论（主要是和弦进行）和和声节奏很重要，因为这样你才知道下一个和弦可能用什么，而不必停下来在调内翻找和弦、打断能量的流动。我的流程是：在吉他上快速写→把原声快速录进电脑→写下和弦进行→用别的乐器逐步替换和声元素→改和弦排列增加趣味→加鼓→确定旋律→录人声→加入制造变化和趣味的元素（只出现一次、用来打破重复的段落）→混音。
IAmGraydon查看英文原文
As a long time songwriter, I would say the very best songs come when you pick up an acoustic guitar and just thrash it out quickly. Thinking too hard is the enemy of songwriting. I write all kinds of music, from electronica to metal to ambient, and they all start on an acoustic guitar. Understanding harmonic theory (mainly chord progressions) and harmonic rhythm is important because it allows you to know what may work for your next chord. You don't want to interrupt the flow of energy when you have to stop and search for the chords in the key you're working in. Here's my method: Quickly write on guitar -> quickly record raw acoustic into computer -> write down chord progressions -> start replacing harmonic elements with other instruments -> change chord voicings to add interest -> add drums -> establish melody -> record vocals -> add elements that create variation/interest (one-shots that only occur once and break up any repetition) -> mix.
创作力可以靠固定的时间、空间和产出量训练成习惯。
以我的经验，布置一个安静、专用的环境是好建议。我今年的项目就是每个月稳定地写：每月录四首歌，其中至少一首原创。这个项目的关键是建立规律：每周三晚下班后、孩子洗漱上床之后，我就去我的空间录音。今年并不是每个月都达到四首，但总体相当稳定。高产的作家往往也这样，我意识到自己管理软件项目也是靠这个办法，那为什么不用在音乐上？我的理论是：创造力可以被训练成一种习惯。
agentultra查看英文原文
Setting up a quiet, dedicated environment is good advice in my experience. My project for this year has been to write, consistently, every month. I try to record 4 songs a month with at least one original. The key to this project has been to establish a regime: 3 nights a week after work, after the kids are washed up and in bed, I go to my space and I record. I haven't always hit the 4 song mark every month this year but I've been pretty consistent. Prolific authors tend to do this and I realized this is how I manage to keep up with software projects as well. So why not music? My theory is that creativity can be made into a habit.
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