HN 写作课

工程师们二十年里聊过的写作。

工程师、作家、编辑和创业者在 Hacker News 上聊了二十年“怎么写”:怎么写得清楚、怎么讲好一个故事、技术文档怎么写、小说和出版是怎么回事。这里把其中关于写作与讲故事的帖子挑出来,配上中文导读、可以直接用的写作要点和评论翻译。

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    1. 01

      从全量里捞

      读取 Hacker News 自 2006 年以来的全部帖子,用关键词先捞出 40 分以上、可能和写作有关的约 1.1 万篇。

    2. 02

      只留真正讲写作的

      由 AI 逐条判断是否和写作、讲故事、文风、出版有实质关系,剔除“写代码”“编辑器”这类字面撞车,并分进十个类别。

    3. 03

      提炼可用的要点

      为值得读的帖子写中文导读,提炼 2-4 条可以直接用到自己写作里的要点,并精选翻译 HN 高赞评论。内容由 AI 生成,可能有误。

    写作与思考2022polygon.com

    那位让我爱上漫画的作家,也教会我厌恶它们

    The writer who made me love comics taught me to hate them (2016)

    阅读原文 HN 讨论
    139HN 得分
    191条评论
    4条写作要点

    导读

    这篇文章回顾了 Frank Miller 的《黑暗骑士归来》等作品,讲述作者少年时如何因为他的画风和叙事爱上漫画,又如何在发现作品中的阴暗、暴力与保守倾向后对这类英雄叙事感到不适。对写作者来说,这是一篇关于“作者与作品关系”“反讽误读”和“类型写作如何承载意识形态”的生动案例。

    关键词 作者与作品反讽与误读图像小说意识形态

    可以直接用的写作要点

    1. 01

      写作者要意识到:读者可能把你写的黑暗当成批判,也可能当成认同——反讽从来不是作者单方面能保证的。

    2. 02

      作品一旦发表就会脱离作者,读者从中读到的意义未必低于你自认为的创作意图,写作时要为这种多义性留出空间。

    3. 03

      刻意堆砌的冲击性意象(如无来由的纳粹符号)如果没有叙事功能,容易让读者出戏,甚至怀疑你的立场。

    4. 04

      评价一个作者时,把人和作品分开看,往往能更冷静地分析文本本身做对了什么、做错了什么。

    HN 评论精选

    读者把作品读成批判,作者本意却未必如此——反讽的归属权很微妙。

    我对 Frank Miller 的感觉也差不多。我当年很喜欢《黑暗骑士归来》,觉得它是一次精彩的解构,揭示了私刑正义和权力幻想的阴暗面——里面还有对《一个国家的诞生》那样的视觉引用。后来发现 Miller 其实并不是在反讽,我挺失望的。幸好还有很多别的漫画作者我依然喜欢。

    ginko查看英文原文

    I'm sort of in the same boat with Frank Miller. I really liked The Dark Knight Returns because I thought it was a great deconstruction that showed the dark side of vigilantism and power fantasies visual references to Birth of a Nation and all that. I was pretty of disappointed when I found out that Miller actually wasn't ironic. Thankfully there's plenty other comic writers I still enjoy.

    作者不是作品的最终解释者,作品的意义会超越创作者的自我说明。

    多年之后我终于想通了:把艺术家和他的作品混为一谈永远是错的。伟大的作品会超越作者本人,而且说实话,作者对作品的理解往往并不比旁人更深。你去问作家、画家、音乐人——尤其是音乐人和词作者——他们的作品在讲什么,只要作品够好,你得到的回答总是令人失望。他们也不知道那是什么、从哪来的,他们只是把它呈现了出来。

    whiddershins查看英文原文

    After years, this is what I’ve come to. Conflating an artist with their art is always a mistake. Great works of art transcend the artist, and frankly, the artist usually doesn’t understand the work any better than anyone else. If you ask a writer or painter or musician … especially musicians/lyricists what their work is about you will always get a disappointing answer, if the piece is any good. They don’t know what it is, where it came from, they just manifested it.

    评论者对文章用作者身份标签去否定其感受的写法提出质疑,提醒写作时警惕轻率的诛心之论。

    Miller 在 9·11 后对 NPR 说:“这是我人生中第一次知道面对生存性威胁是什么感觉。”我没听过比这更“白人、异性恋、男性、养尊处优”的话了。……但我觉得大多数人在看到那场袭击后都有同感。我厌倦了把担心本土最严重的恐怖袭击之一说成是“白人、异性恋、男性、养尊处优”的事。这是人之常情。……不管 Miller 是不是好人,几千人的死亡并不能证明他的种族、性别如何;这种说法显得充满敌意,很可惜,我反而更会去质疑作者的意图。

    SLWW查看英文原文

    > While speaking to NPR about his personal reaction to the September 11th attacks a few months later, Miller would say: "For the first time in my life I know how it feels to face an existential menace." I think that I've never heard something so white, straight, male and sheltered. He will eventually repackage the idea as simply Holy Terror, after jettisoning any reference to the superhero. I think most people felt that way after seeing the attacks. I am weary of any writer who makes it a "white, straight, male and sheltered" thing to be worried about one of the worst terror attacks on our soil. It's a human thing, and for Americans who had never served in combat, it would be the first time they ever felt a threat that real; "existential menace" means, implying the existence of a threat. Innocent lives were lost, a lot of lives, and it shook a nation. I only bring it up because of how unnecessary that seemingly flippant remark was to me. Whether or not Miller was a good guy or not doesn't mean the deaths of thousands is a proof of his race, sex, etc.; it comes off as hateful which is a real shame, I am more likely to question the author's intent. Personally i don't disagree with most of the article, I would have liked a more thorough review of what the writer is talking about when she mentions different troubling things about the comics, as i would have to read it myself to see what they are even talking about. (EDIT: i re-read the last few points and i retract that i agree with most; i think i disagree with most of her points. Sometimes i give benefit of the doubt, only to look again and realize the take is mostly vapid)

    缺乏叙事理由的刺激性符号会削弱作品说服力,读者会追问“这段到底想表达什么”。

    我很喜欢《黑暗骑士归来》,读过好几遍,但每次读到那个胸口纹着纳粹标志的女人那段,我都忍不住想:这到底是想表达什么?后来的《黑暗骑士再袭》很差,再后来《神圣恐怖》出来,完全是仇外的漫画化处理。从那以后我对他的作品就没什么兴趣了。我确实看到过一句他的话,似乎表明他收回了一些极端观点,但我已经走出来了。

    jccalhoun查看英文原文

    I liked Dark Knight Returns quite a bit and I've read it a few times but every time I get to the part with the woman with swastikas tattooed on her boobs I can't help but wonder what the point of that was. Strikes Back was bad. Then Holy Terror came out and it was a xenophobic caricature. Since then I haven't had much interest in anything he's done. I did see a comment from him that seems to indicate he's walked back some of his extremist views but I've moved on.

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