讲故事与叙事2016marclaidlaw.com编辑精选
为《半条命》写作
Writing for Half-Life
导读
《Writing for Half-Life》回顾《半条命》的叙事写作：如何让故事与第一人称玩法交织，使玩家始终处在弗里曼的视角里；也谈到当年“FPS 不需要故事”的行业偏见。对写作者来说，它值得读，因为它示范了如何把叙事藏进体验，而不是外挂在体验上。
可以直接用的写作要点
- 01
用受限的第一人称视角把读者/玩家留在主角的处境里，代入感来自“不离开这双鞋”。
- 02
让故事线与动作、场景和可探索细节交织，信息摆在那里但不强迫接收。
- 03
不要因为预设“硬核受众只想爽”就放弃叙事层次，受众并不像偏见设想得那样排斥故事。
- 04
好叙事可以既是可选的，又是可发现的：想深挖的人能拼出全貌，只想推进的人也不被卡住。
HN 评论精选
故事与玩法交织、且不强迫玩家接收，是《半条命》沉浸感的关键。
这呼应了 Yahtzee 多年后对这款游戏的评价，而且依然成立：《半条命》之所以震撼，正因为你从未离开弗里曼的鞋子。它的故事与玩法交织，所有碎片都摆在那里可见，但如果你只想射外星人，也没问题。它是少数其他游戏难以捕捉的创新与感受的集合。
qwertyuiop924查看英文原文
This echoes what Yahtzee said about the game years later, and it still rings true: Half-Life is such a powerful experience precisely because you never leave the shoes of Freeman. Its story interleaves with its gameplay, and the pieces are all there to see, but if you just want to shoot some aliens, that's okay too. It's a collection of innovations and feelings that few other games have been able to capture. On an unrelated side-note, if you've played Half-Life, Freeman's Mind is a must-watch: it's an astoundingly funny bit of comedy that is just so brilliant. Yahtzee Crowshaw's (yes, the very same guy I mentioned above) LP of the game (Let's Drown Out All Of Half-Life), while by no means a must-watch, is also reccomended.
轻视叙事的做法，最终会被把故事融入体验的作品比下去。
很久以前读到 John Carmack 坚持 Doom 和 Quake 只需要一个交互键，以及找钥匙卡开门的关卡设计。看看 id 在《半条命》之后因玩法和故事浅薄而受批评，我怀疑他是否真的明白自己错得有多厉害。
AceJohnny2查看英文原文
> Before beginning work on Half-Life, I encountered a lot of comments to the effect that a first person shooter didn’t need a story—that hardcore gamers didn’t want one, and that anything more complicated than a bunch of moving targets and some buttons to push would be lost on them. I remember reading a long time ago that John Carmack insisted that Doom and Quake needed nothing more than one interact button and the depth of level design of finding keycards to unlock doors. Considering how ID Games have been received after Half-Life, i.e. criticized for their lowbrow gameplay and story, I wonder if he ever really understood how wrong he was.
未采用的剧本和故事笔记，对研究叙事走向仍有学习价值。
既然《半条命 3》大概永远不会发布，我希望 Valve 公布他们手头的任何剧本或故事笔记。我想看看原本可能发生什么。
jakebasile查看英文原文
Since HL3 is probably never going to be released, I'd love it if Valve released any script or story notes they had for it. I want to see what would/could have happened.
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