出版与作家生涯2020theguardian.com
安娜·维纳谈她的书《荒芜之地》
Anna Wiener on her book “Uncanny Valley”
导读
这是《卫报》对安娜·维纳的访谈，谈她的回忆录《Uncanny Valley》。这本书讲她如何在硅谷初创公司工作四年，观察科技行业里的监控、权力和道德空缺。对写作者来说，值得看的是她如何把亲历的行业经验写成有距离感、有批判性的叙事，以及从杂志长文到出书的路径。
可以直接用的写作要点
- 01
把一段亲身经历当成田野调查来写：先积累素材和观察，再动笔成书。
- 02
写行业题材时，用具体场景和细节呈现文化，而不是直接下判断。
- 03
先写杂志长文试水，再扩展成书，是可行的非虚构写作路径。
- 04
标题和开头要让不了解内情的读者也能看懂，别只靠圈内人名和书名吸引人。
HN 评论精选
长文先发杂志、再扩展成书，是一条可借鉴的写作路径。
这篇后来成书的文章最早发表在文学杂志 n+1 上，链接是……（顺带调侃：在文学杂志名里，'n+1' 算是挺好理解的哈哈）
russler23查看英文原文
Essay from n+1 that led to the book: https://nplusonemag.com/issue-25/on-the-fringe/uncanny-valley/ (As literary magazine names go, “n+1” is pretty relatable haha)
长期行业观察加上道德视角，能让科技写作不止于猎奇。
她听起来像职业作家，我怀疑那四年其实是在为计划中的书做调研；这种事很常见，而且显然奏效了——书还没出，她就已经是热点，还当上了电影执行制片人，这很“硅谷”。我自己的视角有点特殊：我从 1983 年用机器码开始编程，在一家顶级日本企业待了大半职业生涯，那是个“孤岛”，和硅谷文化几乎没有可比性。离开后我发现，钱既腐蚀人又给人能量：它推动增长、创新和活力，也带来近乎彻底的道德真空。那家日本公司有很多毛病，但团队精神和极高的伦理标准让我印象深刻。
ChrisMarshallNY查看英文原文
It's interesting. She sounds like a pro writer. I wonder if her four years were really research for a planned book. That kind of thing is very common. If so, it's paid off. She's hot news, right now. Being exec producer on a movie before the book is even out, is sort of...Silicon Valley. My own perspective is kinda weird, and I don't pretend to be an expert in the culture. I started programming in 1983, with machine code, and I've been doing this stuff a very long time. As I look around at folks in the industry, I see that it is a very long time, indeed. There's not many people with the length of time in the industry I have (which is not necessarily something that has been beneficial to me). I spent most of my career at a top-shelf Japanese corporation. It was a frustrating, but also awesome, experience that has almost no analogue at all with Silicon Valley culture. It was basically a "silo." After leaving that company a couple of years ago, I have been acclimating to a vastly changed landscape. It's been rather eye-opening. The one thing that has struck me the most, is that money seems to have become rather corrosive, while also energizing. It powers a lot of growth, innovation and energy, but also brings with it an almost complete moral vacuum. The Japanese corporation had many flaws, but I was impressed by their focus on teamwork and almost insanely high ethical standards (It was a very "old-fashioned" company). I regularly worked (and argued) with some of the most brilliant scientists and engineers in the world. I like the energy, and I think some of the tools and techniques that have developed are really nice, but I have been rather taken aback by the manner in which our culture is expressed, these days. It's very different from the rather "scrappy" and hopeful way we thought about things back when. I'm figuring out how to navigate the new world. I need to learn how to work in the fast-paced, cutthroat culture, while holding to my ethical compass, and my workflow.
标题要让陌生读者也能看懂，不能只靠人名和书名。
不管是谁改了标题，都应该改回能准确反映内容的版本——原来那个就很好。不了解安娜·维纳或《Uncanny Valley》的人，根本看不懂现在这个标题。
irq11查看英文原文
Whomever changed the headline should change it to something that accurately reflects the content, like it was before. Nobody who doesn’t already know Anna Weiner or Uncanny Valley would understand the meaning of the headline.
用一句话说清人物、书名和核心议题，是让读者进入陌生题材的有效写法。
补充点背景，因为标题确实需要改进：安娜·维纳曾是 GitHub 员工，她写的《Uncanny Valley》讲硅谷的“不受监管的监控、冷酷的老板、性骚扰”等。另据原文：2018 年 1 月环球影业买下电影改编权，剧本还在初期开发阶段，维纳担任执行制片人。
jagged-chisel查看英文原文
Bit of context since the title needs improvement: Anna Wiener, a former GitHub employee, authors a book titled "Uncanny Valley" about "Unregulated surveillance, ruthless bosses, sexual harassment..." in Silicon Valley. Also, from TFA: "in January 2018, Universal Pictures optioned film rights; the screenplay is now in its initial development stages and Wiener is executive producer."
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