小说与文学2020programaudioseries.com
《The Program》第一年：我在 Hacker News 上发布的小说播客
The first year of “The Program”, my fiction podcast launched on HN
导读
作者复盘小说播客《The Program》第一年：它用类似《黑镜》的高概念独立故事集，配合透明数据和社区支持获得关注。值得写作者读，因为它示范了如何用一句话说清设定、让未来故事与当下产生关联，也暴露了速读者可能错过关键信息的表达问题。
可以直接用的写作要点
- 01
在前两句话用读者熟悉的参照（如“播客版《黑镜》”）交代类型和前提，避免速读者错过核心设定。
- 02
高概念世界要落到普通人的选择与道德处境：未来既非单纯乌托邦也非反乌托邦，赢家和输家都可能成为自己故事里的英雄或反派。
- 03
让 speculative future 的恐惧指向“我们的现在”，故事才有现实重量。
- 04
让作品追求“耐老”而非追逐当下热点，能随时间累积价值。
HN 评论精选
高概念独立故事集要用熟悉参照和具体人物处境说清，并让未来设定照见当下。
《The Program》2018年6月在 HN 首映，2019年11月正式上线，之后获得13.5万次下载，并被6个国家的 Apple Podcasts 推荐。我用每半年一次的透明更新回报社区，像自己希望读到的那样披露具体数字，不仅写成功也写失败；这些经验可迁移到播客之外的创作项目。节目可想象成播客版《黑镜》：每集是独立故事，未来中金钱、国家和上帝融合为“Program”；世界既非乌托邦也非反乌托邦，系统制造赢家和输家，普通人有时是英雄有时是自己生活中的反派；对他们来说可怕的不是未来，而是我们的现在。
I-M-S查看英文原文
The Program audio series premiered on HN in June 2018 [1], followed by an official launch in November 2019 [2]. Since then the show received 135,000 downloads and was featured by Apple Podcasts in 6 countries. The community here was nothing but supportive (bberenberg just sponsored an episode by paying for audio equipment, and many other HN users are show patrons) so I am now trying to give back by posting transparent updates regarding the project every 6 months or so. I write these reports the way I'd like to read them, which is to say I divulge concrete numbers and share not only the wins, but fails as well. I believe a lot of lessons (and mistakes) contained within can be applied to creative projects beyond podcasts, so hopefully it comes in useful. For those who haven’t heard (of) The Program audio series before, imagine Black Mirror as a podcast. Every episode is a standalone story set in a future in which Money, State, and God have been fused into a single entity called the Program. The world of the Program is neither a utopia nor a dystopia, as the new system produced both winners and losers - ordinary men and women who are sometimes heroes and sometimes the villains of their own lives. And to them, it is not this future they find terrifying - but our present. Comments/questions welcome! [1] https://news.ycombinator.com/item?id=17425278 [2] https://news.ycombinator.com/item?id=21704417
关键类型参照和入口要前置；速读者会漏掉后文和横幅。
订阅了，很期待开始听。我承认第一次快速浏览文章时没抓到点子，完全错过《黑镜》那部分，听起来只是另一个播客；我在文中找链接却没找到，也漏了页面顶部的大横幅，所以把链接放在开头两个词“The Program”上可能帮到像我这样的速读者。主页上“The Program audio series is a historical podcast set in a future...”很抓我。文章很好地记录了围绕任何事物建社区的挑战；关于 Patreon 的看法尤其有共鸣，但我仍不懂 Patreon 在发生什么。
aazaa查看英文原文
Subscribed, and looking forward to starting. Amazing idea. I will admit that I didn't get the idea on the first fast skim of the article. I completely missed the part about Black Mirror. It sounded like just another podcast from the rest of the article. I was looking for a link in the article but found none, missing the giant banner at the top of the page. So, a link to the main page at the first two words ("The Program") might help skimmers like me. On the main page, "The Program audio series is a historical podcast set in a future..." really grabbed my attention. The article itself is a great account of the challenges of building a community around anything. The take on on Patreon resonated especially well, but I still don't get what's happening there. Patreon just makes no sense to me. > Which goes to show that Patreon is king. Which stupefies me, because for the life of me I don’t see what’s so special about it - as far as I can tell, people don’t use Patreon to find new content, meaning the service itself is not bringing me subscribers. ...
让作品“耐老”而非追逐当下热点，能随时间累积价值。
很高兴有这样的项目，也佩服投入和承诺。我喜欢这些剧集 apparently built to age well（不像多数流行文化播客剧集），希望它随时间积累。把大量创作精力投入不盈利的事很难。我一直在琢磨做互动音频剧，素材已写了不少，主要是制作挑战：找无偿配音、音乐/音效人才，以及录音和剪辑。如果你有空，写详细制作流程会很有意思：协调什么、用什么软件、剪辑步骤、自动化省时技巧。
tunesmith查看英文原文
I am so glad that projects like this exist, and I'm impressed with the effort and commitment - including your apparently amazing marketing abilities in being able to network to good result and find pro bono talent. I also know that it's hard enough to generate revenue from podcasting, and audio drama podcast is harder still. I like though that these episodes are apparently build to age well (unlike most pop-culture podcast episodes), so hopefully it will build on itself over time. It's a hard thankless job to put significant creative effort into something that isn't profitable. I've been toying with an idea of a choose-your-own-adventure audio drama podcast - we have plenty of material written and it would mostly be a production challenge - but it feels overwhelming to figure out how to find pro bono voice talent, music/sound talent, not to mention the actual recording/editing. If you ever have time, it would be interesting to read an in depth description of your production process - what you coordinate, what software you use, the editing steps, and what tricks you use to automate and save time (and save your sanity).
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